What are you to do when the music for a show that has been in
development for years goes through a wholesale revamping a short time
after its debut? If you're Cirque du Soleil, realizing this is a
possibility you tend to hedge your bets, letting a show go through its
"fixation" process before considering a CD release, so as to have the
most current music available on the soundtrack.
With TOTEM being an exception (the CD being released six months after
the shows debut in Montreal) the average time to release a CD has been
a year or more. And in the first case of a show to go through a major
post-premiere revamp - Mystere - the solution was to re-record the CD
in a live performance setting with the new musical score.
But what do you do if you have a completed soundtrack CD already in
the can, ready to release, when the show unexpectantly goes through
significant changes? How can that be representative of the current
show?
Welcome to the Criss Angel BeLIEve soundtrack CD.
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Available for the last few months in the Cirque Boutique and at the
Luxor BeLIEve gift shop as a physical CD (Cirque du Soleil Musique
CDSMCD-10032, 2010) the soundtrack has just been made available for
download on ITunes ($10.00) and Amazon (where it's currently $8.00).
The album can also be sampled in its entirety (not snippets, but full
versions of all of CD songs) on the Cirque du Soleil website, in the
Audio section of the Multimedia Gallery.
For a show that had "Version 1.0" with music and storyline dominant,
and a "Version 2.0" where those take a backseat, the question becomes
which version of the show does the CD document? Since it was recorded
before the changes to the show this CD is obviously for Version 1.0,
but how would a buyer know? And how many of the songs from Version
1.0 made it into Version 2.0?
For the first question, one need look no further than the CD front cover.
Emblazoned there, on the booket first page, and CD label is a thick red
banner saying in French and English "Original Soundtrack by Eric Serra
09-2008 through 09-2009." So there is truth in advertising going on
here, Cirque is being very clear in saying this is the music for the
first year of the show. As to the second question, depend on
your friends at Fascination! But more about that in a minute. Is the
CD worth it or not?
It isn't just the red-band "warning" that makes this most-recent CD
release different from other recent Cirque CD's. While the packaging
is the standard Cirque tri-panel recycled cardboard (with artwork
evoking the tone of the show), and there are pictures of show
characters Kayala, Crimson and the clown quartet there are no pictures
of Criss Angel anywhere. The booklet is a simple 4-page affair, there
are no producer, composer, or musical director notes to be found (as
have appeared on other CD's lately). The booklet has the feeling of
just presenting the basics in order to get the CD released and be done
with it, it doesn't have the "feel" of a graphics team that wanted to
evoke the show with more graphics within its pages.
But the booklet is revealing. It shows that most of the sounds are
played by Eric Serra himself, eschewing the original live BeLIEve
band, which included..
o) Vocalist Nitza
o) Guitarist Elvis Lederer
o) Bandleader and Bassist Jean-François (DJeff) Houle
o) Percussionist José Pepe Jimenez
The CD does feature vocals by Nitza on four tracks, as well as soprano
InvaMula. Jim & Jon Grandcamp, who play guitar and drums on Serra's
side project RXRA, contribute to two tracks. There are also symphonic
parts performed by the London Session Orchestra. But the rest of the
keyboards, guitars, drums and sounds are Serra's (though he does
credit several sample libraries).
The 64 minutes of music centers on slow and mid-tempo rhythms
featuring exotic sounds and carries the ethos of Angel's darker gothic
persona throughout. A few themes recur - the fun"Homage to the
Rabbits" theme appears in several places, as well as a grander
"wedding" theme that comes into play towards the end of the CD (the
orchestral version of the theme on the last two songs are highlights).
Many cuts incorporate several short musical ideas, as if Serra were
editing different ideas together to make a full track. While most of
the mash-ups are successful, some of the combinations make me want to
slice the CD up into smaller tracks so the musical ideas don't mash
together.
As a CD, despite the troubled show to which it's attached, there are
some interesting melodies and sounds to be heard here. The "Homage"
and "Magic Wedding" tracks stand up against some of the best Cirque
has to offer. I would have liked to hear more of the creation
musicians, but since the show no longer uses them it doesn't matter.
As to the question of whether it's a worthy soundtrack to Criss Angel
BeLIEve 2.0...
At the risk of eliciting sympathy (or more likely noting how much
money I "wasted") from BeLIEve haters I should state that my wife and
I have seen the show twice (on the same date a year apart it turns
out), once for Version 1.0 and once for Version 2.0. The show is now
much more suitable to Angel's persona, dropping the "storyline"(and
with it a majority of the "Cirque" input) and taking a straight-ahead
magic show approach. Criss talks much more and has more audience
interaction now, but keeps the show the same length, so there is less
chance for music. As we recall, some cues sounded like recordings of
the old live band, while several cues sounded like they came straight
from the CD. Our recollection is that the following tracks on the CD
are used in Version 2.0 of the show:
o) 1-Homage to the Rabbits
o) 2-The Life Factory (last section)
o) 4-Flying With The Birds (first section)
o) 13-Prewed
o) 15-She is Gone to the Sky
o) 16-The Magic Wedding
You can decide for yourself if six tracks (though it may be more like
seven or eight) is enough to make it a "soundtrack" or if this
relegates the BeLIEve CD to the scorned stack of Cirque soundtrack
mis-fires like "Zumanity" (and to a lesser extent Varekai). Though
before you do (as you should do with all Cirque CD's) give it a listen
on the Cirque website first, it has several things to recommend it.
Because I doubt we will be getting a soundtrack dedicated to the time
after September 2009.
Unless something magic happens.