Costumes & Characters
In his quest to find snow, Jamie interacts with an extraordinary cast of
high-energy urban street characters, including acrobats, dancers, and talking
marionettes. These characters inhabit two distinct worlds: one is an abstract
urban setting shrouded in a dream-like atmosphere, while the other is an
imaginary northern land where winter is all-pervading - even in the costumes, which
were inspired by the nomadic peoples hailing from the boreal regions. To breathe
life into the fantastical creatures you'll find in Wintuk, Cirque du
Soleil called upon Michael Curry, the acclaimed puppet designer for Disney’s The
Lion King on Broadway (for the dogs, birds and ice giants) and René Charbonneau
(for the lampposts), cofounder of Théâtre de la Dame de Coeur in Quebec, Canada.
“Putting together [the] giant props proved to be an extremely stimulating
challenge for the costume and props team,” admitted Marie-Eve Lemieux, Props
Assistant. “The results are simply magical! It will no doubt sweep the show’s
audiences into the unique world of Wintuk!” (Read more about the puppets later on)
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The costumes of Wintuk show the infinite possibilities offered by pleated
polyester, sublimation (a process of printing scanned images onto fabric) and
crinyl (a portmanteau word formed by combining crin - horse hair - and
nylon, creating a light, easy-maintenance material that can be used to create
stunning shapes and volumes).
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The human characters of Wintuk inhabit two distinct worlds: one is an abstract
urban setting shrouded in a dream-like atmosphere, while the other is an imaginary
northern land where winter is all-pervading - even in the costumes, which were
inspired by the nomadic peoples hailing from the boreal regions. Each family of
the People of the North is associated with its own distinct materials and textures.
Textures such as frost, cod skin, buckskin and suede were reproduced on paper
fabric and other fine sublimated materials. The patterns on Jamie's jacket were
also created by sublimation, based on pictures of liquorice allsorts; the fabric
was then pleated to create a knitted look.The same technique was used for Wimpy's
jacket, which features an enlarged houndstooth motif. Sublimation was also used
for the Shaman's crinyl coat, based on a pattern of flowers and geometric shapes,
in this case.
The rings used by the artists performing the Hoop Act are integrated into the
enormous hood of her translucent crinyl cape, onto which pieces of laser-cut
crinyl have been sewn and bunched to create relief. The same technique was used
for the big white coats worn by the Russian bar artists and the Shaman's costume.
The bright, saturated colors of the costumes worn in the Acrobtic Charivari Act
were inspired by the graffiti so closely associated with the underground culture
of the big city. Sublimation is used to produce the effects on their costumes,
which are made essentially from polyester - an unlikely material that, with Wintuk,
is allowed to shine.
Jamie
Jamie is a bright, open-minded young boy with a boundless sense of curiosity.
Always willing to meet new people, he encounters someone who will change him
profoundly - a person who has the rare insight to understand the language of
lampposts and dogs! Jamie doesn't hesitate for a second to embark on a perilous
journey to a far away place in order to find out where the snow has gone.
Wimpy
Wimpy is a timid young man so afraid of his own shadow that he seeks refuge
in a trash can. But he is destined to discover his own courage.
The Shaman
The Shaman is a homeless woman living in the city with her loyal dogs. Stories are
whispered of her strange mystical powers: She can summon the Moon and make the
Northern Lights dance. She proves a true friend to Jamie when she pulls out all the
stops to help her companions in need.
Shadow Girl
Shadow Girl is a playful young girl who appears in the form of a shadow.
She is the same age as Jamie and spends her time taunting him with silly games.
She also has a special relationship with the Shaman and her dogs. But danger
lurks over the horizon where the ice giants hatch their evil plans.
The People of the North
Impervious to the cold, the People of the North are swift and agile.
Under the watchful eye of the High Priestess, they welcome the Shaman and
her whimsical dogs back to their icy homeland. Each family of the People of
the North is associated with its own distinct materials and textures.
Textures such as frost, cod skin, buckskin and suede were reproduced on
paper fabric and other fine sublimated materials.
The Puppets
The dogs are friendly creatures, in spite of their impressive size. Though
loyal to the Shaman, they become good friends with Jamie and his companions.
Named Chief, Slowjo, Mama, Puppy, Curly and Rasta, the whimsical canine
characters represent a dynamic union between acrobat and puppet. The dogs
are designed to accentuate the acrobatic proficiency of the artists while
maintaining the animals' natural movements.
The six lampposts are all-knowing and all-seeing. Inspired from the swing
singers of the 1930s, they sparkle like stars in their sequined costumes.
They are sympathetic to Jamie's mission and guide the young boy in his magical
quest. They stand 13 feet tall and were engineered to move as naturally as
possible. They bend at their necks, turn their heads, and even bat their
eyelashes. Finished in materials, colors and textures that endow them with
distinct, individual personalities, they’re capable of expressing a full
spectrum of emotions through their movements and facial expressions
(accomplished using compressed air.)
The ice giants are created when the ice breaks up from a confrontation
between the Shadows and the People of the North. They rise up against the
Sun's return. The ice giants are made of fabric cubes which were modified
and patinated to make them look like massive pieces of ice. In total, three
gargantuan monsters will be manipulated on stage by puppeteers.
And, the large birds stand over 14 feet tall with a 10-foot wing span. The
height is created by the artists wearing stilts.To clothe two mammoth birds,
we needed some 400 giant feathers, each of which is composed of four or five
different fabrics superimposed, assembled and fastened on the birds’ bodies.
Altogether, we used more than 20 different fabrics to give these birds their
splendid look.
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