Performance Space
Set design of Cirque du Soleil is its own work of art, created to complement
the storyline, characters and costumes. In the universe of Drawn to Life, the
artist’s workspace is alive with free-flowing design creativity, inviting the
audience to step into the animator's world.
No detail of the animator's desk is overlooked from the
way Julie's father left things: his lucky pencil, pencil sharpener, and even a
colossal version of an animator's lamp become design elements. Drawn to Life plays
out on a vast stage itself made to look like an animator's desk with footlights
shaped like pegs that held the sheets of animation paper in place. Sheets of paper
surround the stage resembling the stacked sheets of drafts that an animator
inevitably sifts through during their creation process.
Inanimate objects appear animated – Audiences will be awestruck as the mammoth
lamp follows Julie's movements, becoming her source of comfort and, in a way,
her guiding light. Sheets of animation paper seemingly hang in the air arcing
high above the stage in a dramatic proscenium. Far from static props, the sheets
become living screens onto which characters and moments from the earliest Disney
Animation productions are projected. Even their corners are given to playful
flopping as if they are paper set in motion.
Massive rotating curtains are cast for the
backdrop to give texture to scenes and move Julie along her story. The curtains
are layered and made interchangeable to mimic the multiplane camera of the early
animation days, where artists would move around transparent glass plates of
hand-painted artwork to create the illusion of depth or other effects through
the lens of the camera above.
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