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1997 |
POMP AND CIRCUMSTANCES
Acclaimed by an audience of over 15 million worldwide, with numerous prizes and
distinctions to its credit, Cirque du Soleil is a unique organization which has
reinvented and revolutionized the circus arts. Since its beginnings in 1984, Cirque
du Soleil has been pleasing the public with a novel show concept that is as original
as it is non-traditional: an astonishing, theatrical blend of circus arts and street
performance, wrapped up in spectacular costumes and fairyland sets and staged to
spellbinding music and magical lighting. There are no animals in a Cirque du Soleil
production-only sheer human energy is put to work!
At the present, no less than three productions are running on different continents:
Fresh from its Asian tour, Alegría
takes on Europe next. (Alegría would also be invited to perform at this year's
Royal Variety Performance, performing a rendition of the show's "Milonga" opening,
Elena Lev would dazzle with her hoops performance, Handbalancing by Samuel Tetreault,
Russian Bars, and the Alegria song finale), Quidam
continued to capture the hearts of North American spectators, and Mystère has
permanent billing at the Treasure Island Hotel in Las Vegas. And as of 1998, the
number of productions will double. In the fall of 1998, Cirque du Soleil will begin
presenting a permanent aquatic show at the Bellagio Hotel in Las Vegas, and beginning
in December of the same year, a new theatre built on the Walt Disney World site near
Orlando, Florida will house a brand new Cirque du Soleil production. On the other side
of the Atlantic: after five years of touring, the curtain fell on
Saltimbanco at London's
Royal Albert Hall, marking the end of a two-year European tour (February 1, 1997).
Cirque du Soleil's presence can be felt on several continents. Not only does the
organization have a solid footing in its native Quebec, it also has a second head
office in Amsterdam, and a third will be opened in Singapore in January 1998. In
addition, two business offices are located in Las Vegas and Tokyo.
Every concept and scenic element in a Cirque du Soleil show comes from its one
and only creation and production centre, the main Cirque du Soleil head office in
Montreal. The Studio, which opened in February 1997, was designed to meet the special
requirements of Cirque artisans. Worthy of note are its two huge training rooms as
well as set and costume shops bustling with creators, designers, artists, and
craftspeople. The cost to complete this real estate project totalled nearly $40
million. Over 500 employees work in the building, on floor space exceeding 14,000
square metres.
Since its creation thirteen years ago, Cirque du Soleil's growth has been
phenomenal. What began as a small group of travelling performers carting their
modest circus paraphernalia from town to town is now an organization with nearly
1,700 employees worldwide, and this number is expected to reach 2,000 at the turn
of the century. Founding President Guy Laliberté runs the organization with a
master's hand, along with his "partner in crime" from the early days, fellow President
Daniel Gauthier. Backed by a solid management team, the top managers juggle an
impressive sales figure of $150 million; this figure is expected to double in 1998,
reaching $300 million. Like the organization itself, Cirque du Soleil's management
model is unique and innovative.
While Cirque du Soleil draws most of its revenues (85%) from the box office, its
commercial activities are diversifying and playing an increasingly important role.
Cirque du Soleil Images manages production of audiovisual works and oversees the
marketing of various show soundtracks with BMG Music. Licensing agreements and
corporate alliances are formed on a regular basis. Plans for retail outlets are
becoming a reality, with the first boutique to open at Walt Disney World in Florida.
The publishing world has also been approached. Furthermore, a first feature film,
inspired by Cirque du Soleil's show Alegría, will hit theatres in the spring of 1998.
In keeping with its sense of social responsibility, Cirque du Soleil allocates 1%
of its potential box-office revenues to philanthropic activities that assist young
people in vulnerable socio-economic circumstances. In particular, Cirque top managers
have set up the "Cirque du Monde" program, which uses circus arts as an alternative
way of working with youth in difficulty.
And last, but not least, Cirque du Soleil joins forced with
Pomp Duck and Circumstance,
an original dinner-theatre show:
A few years ago in Germany, a unique upscale dinner theatre concept was
born. The cabaret-type production proved to be a great success and has made
quite a name for itself. Recently, Cirque du Soleil joined with Pomp Duck &
Circumstance to revitalize the formula and stage a brand new show. Gilles
Ste-Croix was chosen as director for the production, which will premiere on
June 12, 1997. Under a beautiful wooden tent-like structure, guests will
watch an unforgettable performance by the approximately 45 waiters while
dining on an epicurean feast fit for a king.
Cirque sets new benchmarks with the birth of a multimedia division - Cirque
du Soleil Images (replacing Télémajik) - and the announcement of two monumental
projects: a feature-length film (Alegría) and a
large-format (IMAX) film, which will feature performances by various Cirque du Soleil
artists in natural and historic sites around the world. It has also developed an
illustrated children’s book project, inspired by its big top productions:
Since its creation in 1984, the hallmark of Cirque du Soleil has been its
innovative and transdisciplinary nature. Though primarily focused on avant-garde
live performances, its activities have quickly grown to include film production,
music CDs, merchandising / licensing and many other projects. Cirque du Soleil is
currently in the process of identifying a publishing partner for a series of
children's books inspired by its productions. The first book will be an
illustrated children’s book inspired by its latest show, Quidam. Cirque’s
commitment to developing children's books is in keeping with this effort to
create shows and projects that appeal to the child in all of us. In Cirque du
Soleil’s creative process, ideas always take shape with a child’s perspective in
mind. Moreover, Cirque du Soleil's worldwide audiences are constantly growing and
include more and more families and children. With major permanent projects like
those in Las Vegas and Walt Disney World opening in 1998, Cirque du Soleil will
reach a worldwide audience of book readers. Guy Laliberté comments: "We want to
enter the publishing world with the same high standards of artistry and innovation
that have been, since the beginning, the trademark of Cirque du Soleil".
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