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Four deep-sea creatures that embody electric eels inside the
Seeker’s cabinet come to life in this stunning, fast-paced and fluid
contortion act. The wriggling artists execute a series of incredible
pyramids and figures at an astonishing pace using the Mechanical
Hand as a platform.
A huge mechanical hand, weighing 340 kilograms and measuring 4.6-meters
by 2.1-meters crawls upstage next. Operated by two artists using a pedal
and gear mechanism, the all-fiberglass hand is an automaton built from
various parts that look like wood, metal, marble and iron. Atop the structure
four bendable ladies from, uhm, Russia (Ayagma Tsybenova, Lillia Zhambalova,
Bayarma Zodboeva, Imin Tsydendambaeva), practice the extreme physical
discipline known as Contortion. Clothed to appear as Eels, they fold and
contort their bodies into various mind-bending poses. Appearing in their
third Cirque du Soleil show – having first appeared in Banana Shpeel and
later IRIS – these ladies perform a stimulating routine fans of these
two previous shows will undoubtedly remember.
Consequently, in the Set Designer’s mind, the Seeker built the hand with
rare objects collected on his travels: a wooden finger found in Sienna during
the Renaissance, a nail picked up in a Greek temple, and so on. And the
mechanical hand represents a paragon of the do-it-yourself ethos and evokes
the richness and the materials from the era of the greatest scientific discoveries.
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