"Wind of Romance" is a slow-paced and bland homage to love clichés.
Overall the episode is more tolerable than some of its downright awful
predecessors, but it still fails to engage the audience and in the end
is nothing more than mindless fluff set to Miklos' score of Italian
elevator music.
This episode finds Fiona, one of the Baroques from Saltimbanco (Andrea
Conway) inspiring love in an Italian piazza by blowing the magical
solstrom at various couples with predictable results. First, Romeo
rides a bicycle across a tightwire strung over the piazza to reach his
Juliet. Jade Kindar-Martin and Karine Mauffrey of La Nouba play the
two overused Shakespearean archetypes.
Claudio Carneiro is also after Juliet's affections but Mooky Cornish
is after his. As expected the two Varekai clowns assume their usual
roles of bumbling idiot and boy-crazed girl. At one point the two
perform their "magic" act from Varekai with Claudio dressed like
Liberace.
When flicking aside a cigarette Claudio inadvertently sets a man
reading the paper on fire. Ray Wold of "O" performs his "human torch"
act . . again; we've already seen his act featured in another
Solstrom episode.
The stand-out performance in this episode is called Balancing Act on
Slippery Surface. It is essentially a one-man Body Skating
performance by Anatoliy Zalevskyy. The performer slides, spins and
performs balancing figures on the slippery mat. The performance is
graceful and understated. This act was the recipient of a Golden
Clown at the 1999 Circus Festival of Monte Carlo.
The rest of the episode's acts are passable but banal. As usual, the
presentation isn't very effective and the production is cheaply done.
Olexandra and Vladyslav Bondarenko perform a contact juggling/adagio
act, Iuri Chavro and Diana Alechlchenko perform an adagio on a
unicycle, Rokardy of La Nouba performs an altered version of his
Balancing on Chairs, Michel Lauzière makes another appearance to
perform a symphony on vibrating wine glasses, and Igor Arefiev and
Colette Elizabeth Morrow perform their Aerial Pas de Deux from
Dralion.
The episode closes with the Trampoline and Wall performance that is
adapted from La Nouba's finale. The performers are exceptionally
talented but taken out of context the performance is lacking.
Text written by Wayne Leung, as published in the “Fascination! Newsletter”.