It appears the producers of Solstrom have finally stopped trying.
"Wind from the Past" is just awful. I really hate being so harsh on
an episode meant to showcase the talents of child performers, and
there is definitely a great deal of talent to showcase, but as always
the production accoutrements (or lack thereof in this series) are
thrown together so haphazardly that their neglect renders the episode
almost completely unenjoyable.
This episode is a random, sloppy mess. The lack of structure and
focus makes it the most banal offering in an already mundane line-up.
I've never asked, "Is this over yet?" while watching anything produced
by Cirque du Soleil, until this episode when that question crossed my
mind several times. And it really is a shame that this episode was
staged and filmed so poorly because there are some highly talented
young performers featured, and if done properly the episode could have
provided a wonderful medium for them to show off their skill. Sadly
Solstrom just did what it usually does, waste talent.
The inconsequential story finds The Dreamer from Saltimbanco (Guennadi
Tchijov) climbing into an old mans attic to find a place to sleep. He
crawls into a crib and with a puff of solar wind transforms the
overhead mobile into an aerial ballet. The Bungee Ballet was by far
my favourite act when I saw it performed live in Saltimbanco, the
vision of majestic white birds soaring across the sky and the
overwhelming awe and exhilaration that the act conveys was nothing
short of magical. None of that magic is conveyed on screen in
Solstrom. Taken out of context, the act is still beautiful but short
of sublime.
When the Sleeper causes a commotion, the Old Man investigates and soon
happens upon Eddie (Jesko Von Den Steinen, also of Saltimbanco) who
serves as a Peter Pan figure. Eddie leads the Old Man through his toy
chest into a very low-budget looking Never Never Land. The Old Man
has become a boy again (gee, I never saw that one coming) and together
Eddie and the Boy (Saltimbanco's Maxsim Vintilov) venture through this
goofy and chaotic world out of a childs imagination. . .or at least
out of the imaginations of the producers of a low-budget TV show for
pre-schoolers.
Along the way the pair encounters a group on BMX bikes and in-line
skates (Pascal Boucher, Vincent Daniel, Charles Deschamps, Julien
Deschamps), a bicycle salesman (Justin Case) who performs a goofy
trick cycling act, a fire eater (Ronald Gagné), a juggler (Bruno
Gagnon), a little girl masterfully manipulating a full-size German
Wheel (Chloé St-Jean-Richard), another child scampering along on an
acrobatic ball (Louis-Marc Bruneau-Dumoulin) and little girls
performing rhythmic gymnastics with ribbons (Anastasia Fomina,
Alexandra Fomina). All of these "acts" are really just brief glimpses
of one or two tricks, no thought whatsoever is given to their
presentation.
Margarita Baranova, Marina Chernysheva and Loulia Kossolapova, the
"Trio Shulekine" perform a hand-to-hand/contortion number for which
they won the Bronze medal at the 2003 L'Avenir de Cirque de Demain
festival. Slava Chabanenko performs an impressive slack wire act.
Again, these young performers show a great deal of raw talent but the
presentation of the acts is overlooked, and consequently they become
tedious.
Renée Bibeau, Jason Papp, Faon Shane, Jeffery Mauss, Lyndsey Mayer and
Nick Woodard perform an impressive acrobatic skipping rope number to a
bad disco score. The former three artists are Quidam alumni, the
latter three are World Junior Skipping Champions.
Alain Gauthier becomes a human video game character by performing on a
trampoline. The routine is standard, but you have to give the
producers points for trying to present this act in a fun context.
Unfortunately the act is too long and becomes boring quite quickly.
Another Saltimbanco act book-ends the episode, the beautiful Adagio
Trio performed by Andreiy Vintilov, Maxsim Vintilov and Oxana
Vintilova. I've seen this number performed by three different
families and each brings its own unique style to the act. The
Vintilovs' act is quite spectacular and is easily the highlight of an
otherwise dreadful episode.
Text written by Wayne Leung, as published in the “Fascination! Newsletter”.